Monday, May 23, 2016

Music Review #30:
Umphrey's McGee
Local Band Does OK
2002
Self-Produced







A fate that jam bands can many times have is one that with so much time and effort focused on large and epic live performances, actual studio albums can come to be rather lackluster in effort. Phish and the Dead are the most notorious for not sinking to this level, and less well known is Umphrey's McGee, a band rising more in popularity as more and more albums are released. 
Obviously taking after Phish, the band's second and more "official" album Local Band Does Okay is more or less an emulation of the 80's band. Bayliss recreates Trey Anastasio's relaxed playing style, which can shift suddenly depending on something abrupt like a tempo change. Cinninger's drumming is much akin to that of Jon Fishman, the very eclectic yet talented drummer of Phish. This works well with the plethora of percussion instruments that McGee has to work with, and luckily are used in their on ways and not played in one cacophony. Speaking of plethora, the number of instruments that McGee crams into each song is quite extraordinary, yet does cause a lack of cohesion between tracks, making for a song list that varies wildly from one to the other. This could be positive depending on how you want an album's structure to be- for me, I prefer a certain level of unity when one song transitions to another, but of course that's just me. 

In summary this album is a step in the right direction, yet the orchestra of goofy instruments is not quite enough to differentiate Umphrey's McGee from Picture of Nectar-era Phish. As for someone who does like Phish and listens to them on a regular basis, this is not much more than retreading of the same ground that has already been beaten, and interesting variations already composed. Again though, the album does show some promise for the band's future. This local band did OK.


2016 - The Frying Pan & Thatcher 
Originally written for Prog Archives on 5/20/2016.
Visit the site at www.progarchives.com

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